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48th IFFI 2017-‘Beyond the clouds’ by Majid Majidi to open 48th International Film Festival of India 2017 on 20th November at Panaji,Goa.

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Inline image 1The film ‘Beyond the clouds’ by celebrated filmmaker Majid Majidi would be the opening film of the 48thInternational Film Festival of India which will run from 20TH to 28THof November  at Panaji,Goa..beyond the clouds film by Majidi Majidi എന്നതിനുള്ള ചിത്രം This  two hour film was shown at the London Film Festival 2017and nominated for best film award. Apart from marking the official debut of the young talent Ishaan Khattar into the world of cinema, this film is also the first Indian film by Majid Majidi. Beyond the Clouds also features the South Indian actress, Malavika Mohanan in one of the lead roles.‘Beyond The Clouds is a melodrama set in Mumbai’s impoverished underclass. A brother who lives on the wrong side of the law and his sister, who finds herself imprisoned for attempted murder after she defends herself from a sexual assault, are the two central characters. As it gives a voice to the voiceless and making a case for the people whose poverty denies them justice, it’s perhaps forgivable that the film labours its point a little stridently at times.’(Screen Daly)Oscar winner A.R Rahman was roped in to compose the music for the film. Rahman and Majid have worked together previously on the film ‘Muhammad: The Messenger of God’,which won the Cinematographer-Director Duo Award at the the International Film Festival of the Art of Cinematography Camerimage 2015.. Majidi, along with the lead actors, Oscar winning music director A.R. Rahman and Vishal Bhardwaj are expected to attend the premiere on November 20th
Screenplay: Majid Majidi, Mehran Kashani,Cinematographer: Anil MehtaEditor: Hassan Hassandoost,Production design: Mansi Dhruv Mehtacast: Ishaan Khattar, Malavika Mohanan, Goutam Ghose, GV Sharada, Dhwani Rajesh, Amruta Santosh Thakur, Shivam Pujar

48th IFFI 2017-International Competition -15 Films competing for Golden Peacock and other awards

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All the international films in this section will be India Premieres.  The list of selected films under this category that will be screened at IFFI 2017:
Ana, mon amour Dir.: Cãlin Peter Netzer (Romania-Germany-France എന്നതിനുള്ള ചിത്രം1. Ana, mon amour
Dir.: Cãlin Peter Netzer
(Romania-Germany-France / 2017 / 125 / DCP)
BPM (120 battements par minute) Dir.: Robin Campillo എന്നതിനുള്ള ചിത്രം2. BPM (120 battements par minute)
Dir.: Robin Campillo
(France / 2017 / 144 / DCP)
3. Angels Wear White
Dir.: Vivian Qu
(China / 2017 / 107 / DCP)
Angels Wear White Dir.: Vivian Qu എന്നതിനുള്ള ചിത്രം4. Racer and the Jailbird (Le Fidèle)
Dir.: Michaël R. Roskam
(Belgium-Netherlands-France / 2017 / 130 / DCP)
5. 5. 5. Dark Skull (Viejo Calavera)
Dir.: Kiro Russo
Dark Skull (Viejo Calavera) Dir.: Kiro Russo (Bolivia-Qatar / എന്നതിനുള്ള ചിത്രം(Bolivia-Qatar / 2017 / 80 / DCP)
6. Freedom (Freiheit)
Freiheit mit Johanna WokalekDir.: Jan Speckenbach
(Germany-Slovakia / 2017 / 100 / DCP)

7. The Great Buddha +
Dir.: Huang Hsin-Yao
(Taiwan / 2017 / 102/ DCP)
8. Blank 13
Dir.: Takumi Saito
(Japan / 2017 / 70 / DCP

)9. Marionette
Dir.: Lee Han-Uk
(South Korea / 2017 / ?? / DCP)

Blank 13 Dir.: Takumi Saito എന്നതിനുള്ള ചിത്രം10. Still Night Still Light (Mes Nuit Feront Echo)
Dir.: Sophie Goyette
(Canada-China-Mexico / 2017 / 98 / DCP)

11. Shuttle Life (Fen Bei Ren Sheng)Dir.: Tan Seng Kiat
(Malaysia / 2017 / 91 / DCP)
The Great Buddha + Dir.: Huang Hsin-Yao എന്നതിനുള്ള ചിത്രം12. A Man of Integrity (Lerd)
Dir.: Mohammad Rasoulof
(Iran / 2017 / 117 / DCP)
Marionette Dir.: Lee Han-Uk എന്നതിനുള്ള ചിത്രം13. Kachcha Limbu
Dir.: Prasad Oak
(India-Marathi / 2017 / 110 / DCP)

14. Take Off
Dir.: Mahesh Narayan
(India-Malayalam / 2017 / 139 / DCP)
15. Village Rockstars
Dir.: Rima Das
(India-Assamese / 2017 / 87 / DCP)
A Man of Integrity (Lerd) Dir.: Mohammad Rasoulof എന്നതിനുള്ള ചിത്രംShuttle Life (Fen Bei Ren Sheng)Dir.: Tan Seng Kiat (Malaysia / എന്നതിനുള്ള ചിത്രംKachcha Limbu Dir.: Prasad Oak എന്നതിനുള്ള ചിത്രംTake Off Dir.: Mahesh Narayan എന്നതിനുള്ള ചിത്രം

still-night-still-light-one
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48th IFFI 2017-Pablo César’s film, Thinking of Him on Rabindranath Tagore will be the closing film in IFFI 2017

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Rabindranath Tagore
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Thinking of Him  directed by Pablo César, the celebrated  Filmmaker will be the closing film of IFFI 2017Argentine director Pablo Cesar's this new film is about the iconic poet Rabindranath Tagore's "intimate but platonic" relationship with Argentine feminist writer, literary magazine editor and cultural activist, Victoria Ocampo.The nitty-gritty of the film, Thinking of Him, hinges on Tagore's 1924 Argentine sojourn during which he forged a deep emotional bond with Ocampo. The film  will be screened at IFFI on the 28th of November. The role  of Rabindranath  is  played by Victor Banerjee,The film has scenes in both B&W and Colour. The black and white scenes portray the life of Tagore and his time spent with Ocampa .The role of Ocamba is played by the talented Eleonora Wexler. The color portions of the movie follows Felix, a geography teacher who becomes fascinated by Tagore’s work and travels to Shantiniketan to learn more about him. 

PABLO CESAR എന്നതിനുള്ള ചിത്രം

'My film will throw light on Tagore's ideas about education, rural reconstruction and humanity. He was at least a century ahead of his time'
Pablo Cesar , Director 

23rd KIFF -Los Perros directed by Marcela Said won the Golden Royal Bengal Tiger Award for best film. Best director in the Indian language film section went to Bijukumar Damodaran for his film "Sound of Silence".

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 French celluloid venture 'Los Perros' directed by Marcela Said won the award for the best film in the International Competition category of the 23rd Kolkata International Film Festival (KIFF) on Friday.

The 94-minute film won the Golden Royal Bengal Tiger Award for best film that comprised a purse of Rs 51 lakh and a trophy, the organisers announced at the media conference.

The Best Director award in the same category was bagged by Iceland's Asa Helga Hjorleifsdottir for the film 'Swan'. Hjorleifsdottir's representatives were handed thee Golden Royal Bengal Tiger Award that included a cheque of Rs 21 lakh and a trophy.

Veteran actor Biswajit Chatterjee handed over the awards.

Iran's 'Kupal' directed by Kazem Mollaie and Poland's 'Birds Are Singing in Kigali' produced by Joanna Koskrauze and Krzysztof Krauze were jointly given The Jury Special Mention Award on Innovation in Moving Images section.

Nepalese creation 'Goodbye Kathmandu' by Nabin Subba was adjudged the best film in the Asian Select (Netpack award).

The Hiralal Sen Memorial Award for the best director in the Indian language film section went to Bijukumar Damodaran for his film "Sound of Silence".

The Jury Special Mention Award in the same section was won by 'Pathumma' directed by Panchakshari.

KIFF AWARDS 2017

Innovation in Moving Images SECTION

Best FilmLos Perros Directed by Marcela Said (International Competition: Innovation in Moving Images, 2017/Color/94 mins/France, Chile)
Best DirectorAsa Helga Hjorleifsdottir (Film: The Swan, International Competition: Innovation in Moving Images , 2017/Color/91 mins/Iceland)
Jury Award – Special MentionBirds Are Singing in Kigali Directed by Joanna Kos-Krauze, Krzysztof Krauze (International Competition: Innovation in Moving Images , 2017/Color/117 mins/Poland )







KUPAL Directed by Kazem Mollaie (International Competition: Innovation in Moving Images , 2017/Color/81 mins/Iran )

INDIAN LANGUAGE FILMS

Best FilmTo Let Directed by Chezhiyan Ra (Competition on Indian Language's Films , 2017/Color/99 mins/India )
Best DirectorDr. Bijukumar Damodaran (Film: Sound of Silence , Competition on Indian Language's Films , 2017/Color/89 mins/India,USA )
SPECIAL JURY MENTIONPATHUMMA (Director: Panchakshari, Competition on Indian Language's Films, 2016/Color/100 mins/India )

NETPAC AWARD

Best FilmGoodbye Katmandu Directed by Nabin Subba (Asian Select (NETPAC Award) ,2017/Color/133 mins/Nepal )

NATIONAL SHORT & DOCUMENTARY COMPETITION

Best DocumentaryMrityubhoj-The Death Feast Directed by Akanksha Sood Singh (Competition on Indian Documentary Films ,2017/Color/52 mins )
Best Short FilmChahat Ke Gubbare Directed by Amritanshu (Competition on Indian Short Films ,2017/Color/19 mins 53 sec )
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48th IFFI inaugurated-Smriti Irani inaugurated the 48th edition of the International Film Festival of India 2017

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Minister of Textiles  and Information & Broadcasting, Smt. Smriti Zubin Irani has opened the graced the event in Goa.Chief Minister of Goa, Shri Manohar Parikkar addressed the opening ceremony of  IFFI 2017 .Earlier, Indian film star Shri. Shahrukh Khan while welcoming all film makers and delegates to IFFI 2017 said that films are about loving, about an idea transformed into reality by hundreds of people working together. He further added that story tellers and story listeners are like a family and stories have the power to bind each and every one together. A.R Rahman, Sridevi, Nana Patekar and Shahid Kapoor  have graced the event .. The inaugural ceremony also witnessed some mesmerizing audio visual performances like ‘Drums of India’, a musical treat with drums from all across the country and ‘Utsav’, a visual spectacleshowcasing diversity of Indian culture

48th IFFI 2007 -Canada – the Country of Focus

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The festival encourages friendly ties between India and other countries through the Country of Focus category, by encouraging delegations from the country, to be present in the IFFI.Canada has been chosen this year, as the Focus Country at the 48th edition of  International Film Festival of India with  a package of 8 best films from recent Canadian Cinema.. This will include 8 films like Closet Monster, Don’t Talk to Irene, Eye on Juliet, Meditation Park, Old Stone, Ravenous, The Stairs and Allure. While “Old Stone” was the Canada Focus Opening Film, “Meditation Park” will be the Country Focus - Gala Screening.Mr. Cameron Bailey, Artistic Director of the Toronto International Film Festival, Ms. Marielle Poupelin, Interim Director, International Promotion and Ms. April Mullen, Filmmaker-Producer and Actress from Canada attending  the Festival as Special Guests and are the panelists for the Indo – Canada co-production seminar, proposed to be organized by the Canadian High Commission in India during the Festival. 
The Stairs
Dir.: Hugh Gibson
Old Stone
Dir.: Johnny Ma
Closet Monster
Dir.: Stephen Dunn
Les Affames
Dir.: Robin Aubert
Don’t Talk to Irene
Dir.: Pat Mills
A Worthy Companion
Dir.: Carlos Sanchez, Jason Sanchez
Eye On Juliet
Dir.: Kim Nguyen
Meditation Park
Dir.: Mina Shum

48th IFFI 2017-BRICS Films Section

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At 48th edition of International Film Festival of India seven films are being  screened The second BRICS Film Festival was held in Chengdu, China in the month of June. The BRICS nations consisting of Brazil, Russia, India, China and South Africa screened a total of 30 films at different venues. 
 7 films that have won the BRICS Film Awards this year being shown in the present edition
Panfilov's 28
Ayanda
The Second Mother
Nise: the Heart of Madness
Where has the time gone?
Soulmate

Turtle/Kaasav

48th IFFI 2017-International Jury reflects on cinema showcased at the festival

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The International Jury Members of the IFFI-2017, Muzaffar Ali, Roger Christian, Tzahi Grad, Maxine Williamson and Vladislav Opelyants,.

48th IFFI 2017-‘Mastering A New Reality’ –Content is the King

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Karan Johar, TV Czarina Ekta Kapoor and Sudhanshu Vats (Group CEO, Viacom18) attended the Panel Discussion with the theme ‘Mastering A New Reality’ ,extensively spoke about the growing emergence of online content providers, considered to be a threat to cinema and movie business.  Moderated by Ronojoy Banerjee, Principal Correspondent, CNBC TV 18, the session was truly invigorating and inspiring for the crowded auditorium. While Ronojoy started off the conversation by pointing out that content is the king, the meaning of that is still getting reinforced in many ways. The digital journey is quite exciting. The broadband penetration has been going up and is growing by 30 percent every year. The real revolution is taking place in terms of mobile handsets. By 2021, 80 percent of mobile traffic will be video led. Profitability in movie making is probably at an all-time low. With more competition coming from online content providers like Netflix and Amazon, how has moviemaking as a process changed? The general standard of cinema has taken a quantum leap in terms of narrative, technology, etc. everyone has upped their game. “We used to be the mothership of entertainment and I can soon see it becoming a stepchild. That’s what really scares me as a filmmaker. I know most of us will be enforced and empowered by the digital world.. Now when good films are being sent to festivals for just finding digital platforms for it to release on, it sort of breaks my heart because cinema used to be the only platform giving us the community feeling of watching and experiencing the film,” A Panel member said.


15th MIFF 2018- Mumbai International Film Festival for Documentary from 28th January to February 3rd 2018

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Manish Desai ,Festival Director of 15th Mumbai International Film Festival for Documentary , addressed the Pressat the Media Centre of the 48th IFFI at Panaji  and  shared details on MIFF 2018. 15th Mumbai International Film Festival for Documentary, will be held from January 28th to February 3rd 2018. This time,  MIFF will be hosting the entire festival in Films Division complex because FD has developed necessary  infrastructure for conducting such a major event. Till now Films Division received  over 790 entries for the current edition. IDPA is supporting  the festival immensely, Manish Desai informed.Mike Pandey of IDPA who also attended the press conference said that in the age of social media, the most  important thing is  that the documentaries will be the point of focus ,documentaries are very close to the truth and  people develop sensitivity because of it. Swati Pandey also addressed the media and and supplemented Manish Desai .The oldest and largest film festival for non-feature films in South Asia for Documentary, Short and Animation Films , MIFF ,the biennial festival , is being organised  with the active collaboration of Government of Maharashtra ,the Indian Documentary Producers’ Association, Public Service Broadcast Trust and Government of Maharashtra.The city of Mumbai is the permanent venue of the festival. MIFF is one of the most prestigious festival in the documentary, short and animation genre on par with International Film Festivals like Leipzig, Berlin, Oberhausen, Cracow and Tampere etc.Apart from the Competition Section, MIFF also holds:. Homage. Retrospective & Special Package. Open Forum & Seminar. Workshop etc..
The festival directorate has received a record 790 entries, with 194 entries from 32 countries in the international competition and 596 entries in the national competition.The prize money has been doubled for the Golden Conch Award for the best documentary in the international competition to ₹10 lakh.FICCI is planning a business platform to help documentary film makers find funding and screening venues. The proposal is in initial stages.The V. Shantaram Lifetime Achievement Award for promotion of documentary movement in India will be conferred upon an eminent documentary film maker chosen by an independent jury. The award money has also been doubled from to ₹10 lakh. Altogether, cash awards of ₹58 lakh will be given away during MIFF 2018.












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48th IFFI 2017 -Awards declared-Vivian Qu ,best director for her Mandarin film Angels Wear,Malayalam Actor Parvathi adjudged as Best female Actor,Kiro Russso best Debut Director

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vivian qu angels wear white എന്നതിനുള്ള ചിത്രം

Malayalam Actor Parvathi adjudged as Best female Actor for her performance in the film Take off directed by Mahesh Narayanan . Vivian Qu ,best director for  her Mandarin film  Angels Wear White.Take off also received Special Jury mention.Atom Egoyan received the Lifetime Achievement Award .“120 BEATS PER MINUTE” bags Best Movie award at IFFI 2017, received Golden Peacock Trophy. Amitabh Bachchan receives Indian Film Personality of the Year award.Marathi Film ‘Kshitij- A Horizon’ gets the ICFT-UNESCO Gandhi Medal.The nine day long International Film Festival of India 2017 concluded today in a colourful closing ceremony held at Goa.o Atom Egoyan received the Lifetime Achievement Award .“120 BEATS PER MINUTE” bags Best Movie award at IFFI 2017, receives Golden Peacock . Amitabh Bachchan receives Indian Film Personality of the Year award.Marathi Film ‘Kshitij- A Horizon’ gets the ICFT-UNESCO Gandhi Medal. The 9 day long International Film Festival of India 2017 concluded today in a colourful closing ceremony held at Goa. 



           
French movie ‘120 Beats per Minute’, directed by Robin Campillo bagged the award for Best Film in IFFI 2017. The award came with the Golden Peacock trophy, certificate and a cash prize amount of Rs. 40, 00,000 shared between the Director and the Producer equally. Nahuel Pérez Biscayart, for his role in 120 Beats per Minute bagged the best actor award, picking up the Silver Peacock. 120 Beats per Minute tells the story of a group of activists in Paris in early 1990’s, taking on government agencies and major pharmaceutical companies, battling for HIV/AIDS patients.
The Best Director award was given to Vivian Qu for the film ‘Angels Wear White’, who bagged the Silver Peacock Trophy and cash prize of Rs. 15,00,000. While Parvathy Thiruvothu Kottuvata was awarded the Best Actress award for the Malayalam film “Take Off”, Nahuel Pérez Biscayart won the Best Actor Award for the film “'120 Beats per Minute”. Both received the Silver Peacock Trophy and cash Prize of Rs 10,00,000 each. Special Jury award, which carries the Silver Peacock Award and a cash prize of Rs. 15,00,000, was awarded to Mahesh Narayanan for his Malayalam movie ‘Take Off’. Kiro Russo received the award for Best Debut Feature Film of a Director’ for his Spanish Movie ‘Dark Skull’.
Shri Amitabh Bachchan, award winning and acclaimed actor was honoured with the Indian Film Personality of the Year 2017 for his contribution to Indian Cinema. The 75-year-old actor's glorious career has spanned almost five decades, in which he has been decorated with a plethora of national and international honours.

 Acclaimed Canadian filmmaker, Atom Egoyan was conferred the Lifetime Achievement Award at the closing ceremony of International Film Festival of India (IFFI) 2017.  The festival also honoured his work with a special film section that had screened 3 films produced by the 57-year-old filmmaker. Atom Egoyan is best known for his films "Exotica", "The Sweet Hereafter" and "Chloe". The lifetime achievement award consisting of a cash prize of Rs. 10,00,000 is conferred upon a master filmmaker for his/her outstanding contribution to cinema.The ICFT –UNESCO Gandhi Medal was awarded to Marathi Movie 'Kshitij- A Horizon', directed by filmmaker Manouj Kadaamh. This award, instituted by the International Council for Film & Television, Paris and UNESCO is given to a film that portrays the Gandhian values of peace and harmony. The film is set on the life of Vacchi, 12 year old daughter of a sugarcane field labourer, who overcomes various challenges to pursue her education.


           

The closing ceremony of IFFI 2017 was anchored by Karan Johar, Sonali Bendre and Zaira Wasim and eminent Indian film personalities such as Salman Khan, Akshay Kumar, Katrina Kaif, Bhumi Pednekar, Sushant Singh Rajput, Sidharth Malhotra and Huma Qureshi graced the closing ceremony. The closing ceremony also witnessed scintillating performances from known artistes 

ബന്ധപ്പെട്ട ചിത്രം
Kiro Russo director bolivia എന്നതിനുള്ള ചിത്രം
vivian qu angels wear white എന്നതിനുള്ള ചിത്രംFilm

The International Competition jury  headed by renowned filmmaker Muzaffar Ali, and his co jury members  Festival director Maxine Williamson from Australia, Actor-Director Tzahi Grad from Israel, Russian Cinematographer Vladislav Opelyants, Director and Production Designer Roger Christian from the United Kingdom decided the awards.

The following films vied for Peacock awards at IFFI 2017:
Ana, mon amour Dir.: Cãlin Peter Netzer (Romania-Germany-France എന്നതിനുള്ള ചിത്രം1. Ana, mon amour
Dir.: Cãlin Peter Netzer
(Romania-Germany-France / 2017 / 125 / DCP)
BPM (120 battements par minute) Dir.: Robin Campillo എന്നതിനുള്ള ചിത്രം2. BPM (120 battements par minute)
Dir.: Robin Campillo
(France / 2017 / 144 / DCP)
3. Angels Wear White
Dir.: Vivian Qu
(China / 2017 / 107 / DCP)
Angels Wear White Dir.: Vivian Qu എന്നതിനുള്ള ചിത്രം4. Racer and the Jailbird (Le Fidèle)
Dir.: Michaël R. Roskam
(Belgium-Netherlands-France / 2017 / 130 / DCP)
5. 5. 5. Dark Skull (Viejo Calavera)
Dir.: Kiro Russo
Dark Skull (Viejo Calavera) Dir.: Kiro Russo (Bolivia-Qatar / എന്നതിനുള്ള ചിത്രം(Bolivia-Qatar / 2017 / 80 / DCP)
6. Freedom (Freiheit)
Freiheit mit Johanna WokalekDir.: Jan Speckenbach
(Germany-Slovakia / 2017 / 100 / DCP)

7. The Great Buddha +
Dir.: Huang Hsin-Yao
(Taiwan / 2017 / 102/ DCP)
8. Blank 13
Dir.: Takumi Saito
(Japan / 2017 / 70 / DCP

)9. Marionette
Dir.: Lee Han-Uk
(South Korea / 2017 / ?? / DCP)

Blank 13 Dir.: Takumi Saito എന്നതിനുള്ള ചിത്രം10. Still Night Still Light (Mes Nuit Feront Echo)
Dir.: Sophie Goyette
(Canada-China-Mexico / 2017 / 98 / DCP)

11. Shuttle Life (Fen Bei Ren Sheng)Dir.: Tan Seng Kiat
(Malaysia / 2017 / 91 / DCP)
The Great Buddha + Dir.: Huang Hsin-Yao എന്നതിനുള്ള ചിത്രം12. A Man of Integrity (Lerd)
Dir.: Mohammad Rasoulof
(Iran / 2017 / 117 / DCP)
Marionette Dir.: Lee Han-Uk എന്നതിനുള്ള ചിത്രം13. Kachcha Limbu
Dir.: Prasad Oak
(India-Marathi / 2017 / 110 / DCP)

14. Take Off
Dir.: Mahesh Narayan
(India-Malayalam / 2017 / 139 / DCP)
15. Village Rockstars
Dir.: Rima Das
(India-Assamese / 2017 / 87 / DCP)
A Man of Integrity (Lerd) Dir.: Mohammad Rasoulof എന്നതിനുള്ള ചിത്രം
Shuttle Life (Fen Bei Ren Sheng)Dir.: Tan Seng Kiat (Malaysia / എന്നതിനുള്ള ചിത്രം


Kachcha Limbu Dir.: Prasad Oak എന്നതിനുള്ള ചിത്രം


still-night-still-light-one

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22nd IFFK 2017-Madhabi Mukherjee will be the chief guest at the opening ceremony-Lifetime Achievement Award to Russian director Alexander Sokurov

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iffk2017Madhabi Mukherjee എന്നതിനുള്ള ചിത്രംMadhabi Mukherjee എന്നതിനുള്ള ചിത്രം
22nd edition of the International Film Festival of Kerala (IFFK) will be held during 8-15 December 2017 in Thiruvananthapuram. Well known Bengali actress Madhabi Mukherjee, who turned 75 last February, will be the chief guest at the opening ceremony.Madhabi Mukherjee has not yet been bestowed with a Dadasaheb Phalke award or even a Padma award.She had acted in more than 65 films including that of Satyajit Ray and Mrinal Sen. This year’s Lifetime Achievement Award is being conferred on iconic Russian director Alexander Sokurov. A retrospective of his six films   will be screened at the festival. His film Russian Ark was shown in IFFK 2003 .
Russian Ark received the Visions Award at the  2002 Toronto International Film Festival , a Special Citation at the 2003 San Francisco FilmCritics Circle Awards and the 2004  Silver Condor Award for Best Foreign Film from Argentine Film Critic Association and was also nominated for thePalm d'Or  at the 2002 Cannes Film Festival , the Golden Hugo at the 2002 Chicago International Film Festival and the 2004 Nika Award . In addition, Alexander Sokurov was named Best Director at  Francie  in 2003 and was nominated for the 2002  Europian Film Award for Best Director  Cinematographer Tilman Büttner was also nominated for various awards for his work on the film, including a European Film Award and a German Camera Award.A Golden Lion winner at Venice for his film Faust, and a perennial presence at major festivals, he has many influential admirers. “I wept and wept, from start to finish,” rock star Nick Cave stated after seeing Sokurov’s 1997 film Mother and Son. Martin Scorsese called him “a pioneer” and supported the making of his “one-shot” feature Russian Ark (2002), filmed in a single 90-minute take in the Hermitage Museum. Russian president Vladimir Putin helped ensure the financing of Faust.Sokurov’s new feature, Francofonia, was coproduced by the Louvre and partly shot in the museum when it was closed to the public and at night. The crew was there working next to the Mona Lisa for eight or nine days.

. Russianark.jpgAlexander Sokurov in Fajr International Film Festival 01.jpg
22nd iffk 2017 എന്നതിനുള്ള ചിത്രംBesides, Retrospectives of films by Lino Brocka, master filmmaker from Philippines and K P Kumaran from India will be screened.Contemporary Masters in Focus will feature movies of Mahamat Saleh Haroun (Chad) and Michel Franco (Mexico). Other packages include Identity and Space, Contemporary Asian Cinema, Japanese Animation, Restored Classics, and Jury Films.Homage section will be screening films to pay tribute to directors Kundan Shah, K R Mohanan and I V Sasi and actor Om Puri.

22nd International Film Festival of India-Aravindan Memorial Lecture by actor Aparna Sen

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Image may contain: 2 people, glasses, beard and text 
                                                                                                 
 

Aravindan ,was a multi- versatile creative thinker who worked as Director, Screen writer, Musician and Cartoonist. His films Utharayanam.Thampu,Kummatty ,Esthappan,Pokkuveyil,Chidambaram,Oridathu,Marattam,
Vasthuhara are still remembered for their creative exuberance. Aravindan Memorial Lecture is an annual programme conducted by the Kerala State Chalachitra Academy ,in the premises of IFFK in honour of the legendary filmmaker. This year's Aravindan Memorial lecture is set to be delivered by Aparna Sen.Aparna Sen is a renowned name in Bengali as well as Indian cinema. She has excelled both as an actor in film and theatre and as a director of parallel cinema.Aparna was born in 1945 in Kolkata. Her father,Chidananda Das Gupta, was a film critic ,film maker and close friend of Satyajit Ray.THhey were the pioneers of film society movement in India. . Her first film appearance was in Satyajit Ray's Teen Kanya (1961) when she was sixteen. Since then, Aparna has acted in many films in lead roles.In 1981, Aparna made her debut as a film director with 36 Chowringhee Lane (1981) which won national and international awards. Since then, Aparna has directed series of films on a wide variety of subjects. Most of her films have been well acclaimed nationally and internationally. Aparna moved to Mumbai and continues to make films in Hindi and English.Aparna acted in little theatre groups and commercial theatres for a period of time. She was also editor of a popular Bengali magazine (Sananda) for long time.
·  
 Govt of India bestowed  Padmashri title on Aravindan.    
·  He won:
·         1974: Award for the Best Feature Film on the 25th Anniversary of India's Independence – Uttarayanam
·         1974: Best Feature Film in Malayalam – Uttarayanam
·         1978: Best Direction – Kanchana Sita
·         1979: Best Direction – Thampu
·         1986: Best Film – Chidambaram
·         1987: Best Direction – Oridathu
·         1991: Best Feature Film in Malayalam – Vasthuhara
·         1974: Best Film – Uttarayanam
·         1974: Best Director – Uttarayanam
·         1974: Best Screenplay – Uttarayanam
·         1978: Second Best Film – Thampu
·         1978: Best Director – Thampu
·         1979: Best Film – Esthappan
·         1979: Best Children's Film – Kummatty
·         1979: Best Director – Esthappan
·         1981: Best Director – Pokkuveyil
·         1985: Best Film – Chidambaram
·         1985: Best Director – Chidambaram
·         1985: Best Documentary – The Brown Landscape
·         1986: Best Film – Oridathu
·         1986: Best Director – Oridathu
·         1986: Best Documentary – The Catch
·         1988: Best Music Director – Ore Thooval Pakshikal
·         1990: Best Film – Vasthuhara
·         1990: Best Director – Vasthuhara

Chidambaram film aravindan എന്നതിനുള്ള ചിത്രം 

22nd International Film Festival of Kerala-IFFK 2017-Country Focus-Brazil

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‘Necropolis Symphony’  brazil film എന്നതിനുള്ള ചിത്രം‘Southwest’ directed by Eduardo Nunes, എന്നതിനുള്ള ചിത്രം


22nd IFFK LOGO എന്നതിനുള്ള ചിത്രംFilms from Brazil on focus


‘Country Focus ‘of the 22nd edition of the International Film Festival of Kerala (IFFK) would be Brazil Cinema. Six films curated by film scholar Stefan Solomon,  will be screened in this section.
Cinema Novo marks an important moment in the history of Brazilian cultural productions because it is understood as the first instance where Brazilian films began to gain a consistent level of positive critical reception outside of Brazil. Cinema Novo has long been popular among academics because it is a movement heavily imbedded with political, philosophical, and historical meaning. These films generally emphasized social and political problems in Brazil in an effort to promote economic reform.  While it is difficult to place a clear chronological time frame on this era, we can say that it lasted from the late 1950s to the early 1970s.
The  contemporary Brazilian cinema seems to be the byproduct of a mid-1990s renaissance in national film production. Accordingly, to better understand contemporary Brazilian cinema, it is advisable to recall the Brazilian film industry’s situation in the 1980s. An unsteady period followed by a major decline in national film production in the late-1980s and early-1990s, these were years illustrated by the dismantling of Embrafilme (Empresa Brasileira de Filmes), culminating in the complete eradication of the state-run film production and distribution company in March 1990. Around 1993–1994, however, a renaissance of Brazilian cinema occurred, in terms of film production and ticket sales, which has been called “Cinema da Retomada.” A cinematic phenomenon, fundamentally fueled by the industry’s access to new sources of state funding, the Retomada was predominately brought about by fiscal exemptions allowed by the Audiovisual Law (Lei do Audiovisual), as well as by grants such as the “Prêmio Resgate do Cinema Brasileiro,” coming from the Ministry of Culture. Later, the Rouanet Law (Lei Rouanet) strengthened the funding not only for film, but for cultural projects and events as a whole. Likewise, municipal and state laws promoting fiscal exemptions also had a fundamental role in the recovery of film production in the country. All these laws allowed the private initiative to redirect funds from taxes to film production. This article will provide a basic bibliography of the aforementioned topics, addressing the economic, sociological, and aesthetic issues related to contemporary Brazilian cinema.
A comprehensive resource here is Ramos and Miranda 2004, a reliable reference book in which one can find introductory information on various topics regarding contemporary Brazilian cinema. As seen in Ramos and Miranda 2004, the history of 1990s Brazilian cinema starts with two political acts: (1) the stamping out of the governmental agencies Embrafilme, Concine, and Fundação do Cinema Brasileiro, by President Fernando Collor de Mello in 1990; and (2) the validation of the Audiovisual Law (Lei do Audiovisual, no. 8.695/93) on July 20, 1993, a law that promotes the funding of Brazilian feature films by means of fiscal exemption. While in the beginning of the 1990s, only three Brazilian feature films were being screened each year, between 1995 and 1997, thirty-one films were produced and exhibited. The feature film that most remarkably represents this Brazilian cinema renaissance is Carla Camurati’s Carlota Joaquina—Princeza do Brasil (1994). Some critics and scholars advocate that, as a cycle, Cinema da Retomada came to an end with Walter Salles’s Central Station (Central do Brasil, released in 1998). Others deem Fernando Meirelles andKátia Lund’s City of God (Cidade de Deus, released in 2002) as the true closing milestone of this renaissance. And a third perspective has considered Cinema da Retomada as a hitherto unending film cycle, given the persistence of the fiscal exemption mechanisms that prompted market recovery back in 1993/1994. Useful for further discussions on contemporary film production, a straightforward history of Brazilian cinema can be found in Stam and Johnson 1979. This work charts the shape of Brazilian cinema up until the late 1970s, when the state production and distribution company Embrafilme was already in full operation. A variety of works by experienced authors concerned with the economic, sociological, and aesthetic aspects affecting the new rise of the Brazilian film industry from the mid-1990s onwards can be found in Nagib 2003Bernardet 2009 provides a number of essays and film critiques that help to “connect the dots” in terms of the context leading up to the early-1990s renaissance in Brazilian film production, the renaissance itself and the nascent horizons of contemporary Brazilian cinemaButcher 2005 offers a short introduction to Brazilian cinema’s recent history while addressing aesthetic issues related to recent films. Finally, Bayman and Pinazza 2013 presents an updated selection of essays covering the history and aesthetics of Brazilian cinema, its main movements and achievements.
Directors with a clear perspective and a lucid personal outlook add a novel dimension to the films from Brazil. The contemporary films reflect the socio-political circumstances with precision. These films effectively dovetail the country’s state of affairs, and the inner conflicts and anticipation of man.
The ‘Focus on Brazil’ section consists of six contemporary movies from Brazil. Anita Rocha de Silveira’s ‘Kill Me Please’, Juliana Rojas’ ‘Necropolis Symphony’, Eduardo Nunes’ ‘Southwest’, Fernanda Pessoa’s ‘Stories that our Cinema did (Not) tell’, Adirley Queiros’ ‘White out, Black in’, and Thiago B. Mendonca’s ‘Miserable or a man screaming is not a dancing bear’

‘Kill Me Please’ by Anita Rocha de Silveira,. Anita Rocha da Silveira's arresting debut feature is a fever dream of adolescent sexuality with a retro giallo flavor.‘Teen sexual exploration and the coming-of-age tale are first-feature cliches, but such is the range of human experience (and art) that there’s always room for a new vision to make that familiar territory seem fresh. The Brazilian film Kill Me Please offers a bracingly distinctive turn on those well-worn themes by chronicling a group of adolescent girls’ hormonally restless summer during a wave of murders in their West Zone neighborhood of Rio de Janeiro’ (Variety)

 ‘Necropolis Symphony’ of Juliana Rojas, "Necropolis Symphony". It takes a minute for the audience to get it, but then it begins to take the bizarre and lop-sided in its stride in the natural perception of a universe in which, it is not dumb zombies that populate the world, but real, live singing people who reside in the home of the dead. Andrea Martini dissects the originality of Brazilian musical comedy Necropolis Symphony by Juliana Rojas……. Shot entirely in a cemetery of a well-to-do area of São Paulo where family tombs and chapels stand in the shade of tree-lined avenues, Juliana Rojas's eccentric film stages a merry band who are by no means fazed by the macabre setting. It comprises four conscientious gravediggers, a pleasant bureaucrat superintendent just as one would expect a likeable native of São Paulo to be, and a stout, highly unorthodox priest.  (  Andrea Martini ,Fipresci)

Southwest directed by Eduardo Nunes .The rhythmic squawk of rotating bladed on a windmill outside a rustic country inn;wind rushing through the grass; unsmiling characters viewed sidelong through half-open doors.Thease are among repetitive aural and visual motifs in Eduardo Nunes ‘Southwest ‘that the relentless passing of time and the weight of the world on people struggling to survive (Newyork Times)

 

Stories That Our Cinema Did (Not Tell ) by Fernananda Pessoa,Brazil,1970s : the country is living under a military dictatorship which lasted 21 years.During that period the most produced and seen cinema was pornochanchadas: a diverse genre that combined erotic atmosphere and popular appeal.A review of a dark period of one of the most charming countries in the universe is made through the most unprecedented way-solely through the images and sounds from a selection of the

pornochanchadas films.

 ‘White Out ,Black’  of Adirley Queiros high concept ,lo-fifuturist docudrama explores the trauma of victims of a racist violence in the outskirts of Brasilia.An innovative ,intriguing and intimate piece about the maimed and disturbed underclass living under the shadows of Brazil’s futuristic capital.”(The Hollywood Reporter)

 ‘Young and Miserable or a Man Screaming is not a Dancing Bear’ directed by Thiago B Mendonca. HYBRID A group of artists test the borders between art and life. With theatre, music  and performance art in public spaces, they try and create a revolutionary consciousness. They join the protests against the 2014 World Cup and witness violence and police repression. But the nearer the spectacle comes, the wider the cracks in the collective's solidarity. The dream of art influencing life is overtaken by life itself. Made on a minimal budget, the film is a powerful portrait of a young generation of political artists and was inspired by an essay by Pier Paolo Pasolini in which he criticized materialism – and by the surreal poetry of Aimé Cesaire.







22 nd International Film Festival of Kerala 2017 - Jury International Competition-Marco Muller ,Jury Chairperson.

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logo iffk 2017 എന്നതിനുള്ള ചിത്രംJury 2017

International Jury

Marco Muller ( JURY CHAIRMAN )

Film critic , Film Producer and Artistic Director
A well known Film critic and historian, Muller was the director and writer of documentaries about cinema. Now working as Professor at the Academy of Architecture, Universitàdella SvizzeraItaliana, Marco Muller Started working in 1978 as a festival programmer in Italy. He was director of “Ombreelettriche” (Electric Shadows) Festival in Turin (1981). Subsequently he was the director of the festivals of Pesaro (1982-1989), Rotterdam (1989-1991), Locarno (1992-2000), and Venice Film Festival (2004-2011) and of Rome Film Festival (2012-2014). He has produced and co-produced 14 features and has also produced short-films and documentaries.

T V Chandran

Film Director, Screenwriter and Actor
T V Chandran is an Indian film director, screenwriter, and actor, predominantly working in Malayalam cinema. He started his film career as an assistant director to P. A. Backer and John Abraham. He made his directorial debut with the unreleased feature Krishnan Kutty (1981). Chandran came into prominence after Alicinte Anveshanam (1989), which was nominated for the Golden Leopard at the Locarno International Film Festival. Ponthan Mada (1993)is his most famous film to-date. His trilogy on 2002 Gujarat riots, consisting of Kathavasheshan (2004), Vilapangalkappuram (2008) and Bhoomiyude Avakashikal (2012) are worth mentioning.

Marlon Moreno

Actor
Marlon Moreno is an acclaimed film actor born in Cali, Colombia. Marlon debuted in the telenovela Gentefresca. Then he filmed Milena where played the role of Carlos and soon after he participated in La Mujer del Presidente where he played the role of Victor Leal which made Moreno famous as a talented actor. Later on in the 1990s, he participated in numerous telenovelas like Sin límites, La Dama del Pantano, La Reina de Queens, El Precio del Silencio, and Pandillas, Guerra y Paz to name a few. La Saga Negocio de Familia, a telenovela that is considered one of the best from all times. Moreno also participated in movies like El Rey, Soñar no cuesta nada, Heridas, La Beca, and Perro come perro.

Mary Stephen

Film Editor
Born in Hong Kong, graduate of Concordia University in Montreal , Mary Stephen has been living in Paris since the 1980s. She collaborated with French New Wave director Eric Rohmer for more than 25 years as his film editor and co-composer, starting as assistant to Rohmer’s then-chief-editor Cécile Décugis (who edited for Truffaut, Rohmer, Godard including the legendary Breathless). Mary then became Rohmer’s chief-editor from 1991 Winter’s Tale to his last feature 'The Romance of Astrea and Celadon' (2007). A partial list of her work includes Ann Hui’s latest feature 'Our Time Will Come' and 'The Headmaster', the omnibus film '8 and ½'.

Aboubacker Sanogo

Film scholar and Curator
Aboubakar Sanogo is a film scholar and curator currently working on Carleton University as Assistant Professor in Film Studies. He received in MA (2001) and Ph.D. (2009) in Critical Studies from the School of Cinematic Arts of the University of Southern California in Los Angeles. Sanogo is also the founder of the Carleton University World Cinema Forum which seeks to study national, regional, continental and global film cultures, institutions, stakeholders and debates with the ultimate goal of establishing Carleton as a major destination for the study of World Cinema.

22 nd International Film Festival of India 2017 - My Selection

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 My Selection

1.Insult
2.Pomegranate Orchard
3.Redoubtable
4.The Square
5.Goliath
6.Day Break
7.Euthanizer
8.Estebar
9.Poroca
9.Colo
22IFFK LOGO എന്നതിനുള്ള ചിത്രം10.Art of Living
11.Nude
12.Angel Wear White
13.Redoubtable
14.Spoor
15.Grain
16.120 Beats Per Minute
17.Loveless
18.The Swan
19.Kupal,
20.Khibula,
21.Birds are singing
22.Amok
23.Newton.
24.MenDon’t cry
25.Oblivion
26.Scary Mother
27  Brothers &
29.Mother
30 .Birds are Singing in Kigali.

22nd International Film Festival of Kerala 2017-The Insult-Opening Film

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The Insult (L'insulte) ,Lebanese film  directed by Ziad Doueiri, will open the 22 edition of International Film Festival of Kerala (IFFK).
insult film എന്നതിനുള്ള ചിത്രംZiad Doueiri FILM DIRECTOR iNSULT എന്നതിനുള്ള ചിത്രം
An insult grown out of proportion and brought them in court .This  Ziad Doueiri film was in competition at the Venice Film Festival ,then travelled to Telluride and Toronto, where his terrorism-themed “The Attack” premiered five years earlier,"In today's Beirut, a civilian dispute blown out of proportion finds Tony (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee, facing off in court. As the media circus surrounding the case threatens a social explosion in divided Lebanon, Tony and Yasser reconsider their values and beliefs as revelations of trauma complicate their understanding of one another"

"The tinderbox of Lebanese politics and identity sparks into a controlled conflagration in Ziad  Doueiri's calculatedly explosive drama The Insult Conceived as a classic story of how a not-so-simple insult can escalate into a nationwide crisis, the film pits a belligerent Lebanese Christian mechanic with a traumatic past against an older Palestinian Muslim still unable to quietly suffer the ever-present verbal and institutional barbs against his dignity..... Doueiri sets out the issues in an easily understood, rather too obvious manner, shifting into the courtroom where the proceedings resemble one of those “Law & Order” episodes that deal with a “sensitive” topic such as abortion. Both sides get an impassioned defense, and yet, like Lebanon as a whole, there’s a whole lot talk and zero accountability"(Variety )

insult film എന്നതിനുള്ള ചിത്രം



22nd IFFK-International Film Festival of Kerala 2017-Wajib,directed by Annemarie Jacir from Palestine won the Suwarna Chakoram (Golden Pheasant Crow )

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The 22nd  edition of the International Film Festival of Kerala (22 nd IFFK 2017) concluded this evening ,with the Award presentation ceremony and Screening of the film Wajib which won the Suwarna Chakoram (Golden Pheasant Crow )at Nishagandhi Auditorium,Thiruvananthapuram. 
This year’s Lifetime Achievement Award was conferred to iconic Russian director Alexander Sokurov byA.K.Balan ,Minister for Cultural Affairs,Govt.of Kerala, who presided over the function.The festival opened on 8th December  with the film 'Insult' directed by Ziad Doueiri .Aravindan memorial lecture by Aparna Sen ,Trevor Jamieson in conversation with Bina Paul,Anup Singh in Conversation with KM Kamal, Alexander Sokurov in conversation with film C.S. Venkiteswaran, K P Kumaran in conversation with Meera Sahib Meet the director moderated by MeeraSahib,P K Nair Colloquium  on the ‘Tradition of Dissent’, ‘Women in Cinema Collective Stall’  were other functions.
                                                                                                                               


P K Nair Colloquium on 'Tradition of Dissent' HeldAlexander Sokurov in Conversation with CS VenkiteswaranK P Kumaran In Conversation with Meera Sahib
Rani George, Secretary to Government welcomed the gathering and Kamal, IFFK Festival Director presented the report. Beena Paul Artistic Director of announced the awards in the presence of the respective juries. Mahesh Panchu , Secretary, Chalachitra Academy proposed a vote of thanks. Following the Closing Ceremony  and Award presentation, the film WAJIB  was screened.
Wajib,directed by       Annemarie Jacir from Palestine won the Suwarna Chakoram (Golden Pheasant Crow )   A  Memento ,Certificate and an award price of 15 Lacs was presented to her.Rajatha Chakoram (Silver Pheasant Crow )  for the Best Director was  given to        Anucha Boonyawatana for the film Malila- The Farewell Flower. Certificate, Memento & award Price INR 4 Lacs/. Rajatha Chakoram for the Best Debut Director was given to Sanju Surendran for his film Eden. The film is from malayalam. Award :Certificate, Memento & INR 3 Lacs/.Special Jury prize to Candelaria directed byJhonny Hendrix.FIPRESCI Award: Best Film in Competition bagged by Newton , a film from India  and directed by Amit V.Masoorkar  Award: Certificate and Memento. FIPRESCI Award: Best Malayalam Film won by Sanju Surendran for his film Eden  . Award: Certificate & Memento.NETPAC Award: Best Asian Film Award: Certificate & Memento  : Newton , a film from India  and directed by Amit V.Masoorkar. NETPAC Award: Best Malayalam Film  Booty and the Witness  , a film from India  and directed by Dileesh Pothen.  Award: Certificate& Memento. Rajatha Chakoram for best film selected by Audience :The Audience Poll Award goes to ‘I Still hide to smoke’,a film directed by  Rayana .Award: Certificate, Memento & INR 2 Lacs/
Report presented by Jury Chairman at the Conclusion of the festival The International Jury at the 22nd International Film Festival of Kerala, held between the 8th - 15th Dec 2017, at Thiruvanthapuram, consisting of 1) Marco Mueller (Chairman) 2) Mary Stephen 3) T V Chandran 4) Aboubaker Sanago Has viewed 14 films in the International Competition and made the following recommendations: 1) Rajatha Chakoram for the Best Debut Director: Film: Aedan / The Garden of Desire by SanjuSurendran from India Citation: By unanimous vote, the RajathaChakoram award for Best Debut Director goes to SanjuSurendran for his film Aedan / Garden of Desire. The jury was impressed by the freshness and boldness of the director’s cinematic vision and deployment of film language and wished to welcome a promising new voice in the cinema. 2) Rajatha Chakoram for the Best Director: Film: Malila / The Farewell Flower by Anucha Boonyawatana from Thailand Citation: The RajathaChakoram award for Best Director goes to Ms. Anucha Boonyawatana from Thailand for her film Malila / The Farewell Flower. The jury was impressed by the seamless way in which the director merged the physical and metaphysical quest of her characters, producing a film at once powerfully sensuous, yet also deeply meditative. 3) Suvarna Chakoram for the Best Film: Film: Wajib Director: Annemarie Jacir from Palestine Citation: The SuvarnaChakoram for Best Film goes to Wajib directed by Annemarie Jacir from Palestine. The jury wished to reward the profoundly subtle ways in which the director, through the intimacy of family conflicts, hopes and regrets, succeeds in painting a compelling portrait of contemporary Palestinian Society as it copes with its Israeli neighbours in a highly volatile political space 4) Special Mentions or Jury Prizes (if any) with name of Film and Citation By unanimous decision, the jury presents a Special Mention to the film Candelaria, directed by Johnny Hendrix from Columbia for its loving celebration of resilient third age in a time of crisis.

FIPRESCI: Best International Film- 'Newton'Trevor Jamieson In Conversation with Bina Paul

APARNA SEN INAUGURATING WOMEN IN CINEMA COLLECTIVE STALL IN TAGORE THEATER ALONG WITH BEENA PAUL, REEMA KALLINGAL, SAJITHA MADATHIL,& OTHER FILM & TV FRATERNITY MEMBERSAparna Sen delivers the 13th Aravindan Memorial Lecture

First South Asian Short Film Festival - March 2018 -Kolkatta-Call for entries

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CALL: 1st SOUTH ASIAN SHORT FILM FESTIVAL: SASFF-2018
Organized by: Federation of Film Societies of India, Eastern Region. C-7 Bharat Bhaban (2nd floor), 3 C. R. Av. Kolkata-700072.
Deadline: 31st December 2017.
Rules & Regulations:
Date & Venue: March 2018, Kolkata.
*Short Fictions (maximum 30 minutes) and Documentaries (maximum 60 minutes) made after 1st January 2015 in India, Bangladesh, Sri Lanka, Nepal, Bhutan, Pakistan, Afghanistan and Maldives are eligible.

*Sections: 1. Competitive and 2. Panorama (Non-Competitive)
* Cash Awards (For Competitive Section):
1. Satyajit Ray Award for the Best Documentary.
2. Ritwik Ghatak Award for the Best Fiction.
3. Hiralal Sen Award for Special Jury Mention.
4. Some More Awards will be declared later.


*Entry Fee: Rs.1,000 (or 20 USD). Entry Fee will be Refunded if Not Selected for in any of the Sections: Competitive or Panorama (Non-Competitive). Entry Fee should be deposited to the following bank a/c:
FEDERATION OF FILM SOCIETIES OF INDIA.
Current A/C No. 400520110000326.
IFSC- BKID0004005.
BANK OF INDIA.
Chowringhee Square Branch, Kolkata.

Phone: +91-9433561571.
* How to Apply On-Line:
1. Fill up the following Entry Form, Copy/Paste the same as Mail-Text and mail it directly to: <ffsi.kolkata@gmail.com> positively with Cc to <pmfilm@gmail.com>.
2. While mailing, do not forget to mention in the Subject: "SASFF-2018/........ (Title of the Film)"
3. Attach the image of the poster of the film and profile picture of the director as JPG files.
4. Send the film through Vimeo or Google Transfer or any other platform preferably with password protection. Mention the URL (with password, if any) in the body of the Mail-Text (at Sl. No. 25 of the Entry Form).


ENTRY FORM
1. English Title:
2. Original Title:
3. Duration:
4. Genre (Fiction / Documentary):
5. Year of Production:
6. Country:
7. Language:
8. Whether Subtitled in English:
9. Synopsis (max. 60 words):
10. Whether Participated in any Festival (if yes, names and years of the festivals where participated):
11. Whether Received any Award/Honor (if yes, names and years of the festivals):
12. Name,
Mobile No and E-Mail id of the Director:
13.
Name, Mobile No and E-Mail id of the Producer:
14.
Name, Mobile No and E-Mail id of the Right Owner:
15. Name of the DOP:
16. Name of the Editor:
17. Lead Cast (max. 03 names):
18. Details of Entry Fee Deposited:
19. Link (URL) with Password (if any):
20. Signature of Right Owner (not required if the applicant is the Right-Owner and applying from her/his own mail id):


https://www.facebook.com/South-Asian-Short-Film-Festival-SASFF-859253580906052/

15th MIFF 2018- DELEGATE REGISTRATION OPEN

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The delegate registration of 15th Mumbai International Film Festival ,which is scheduled to open on 28th January ,2018  is open.More details can be had from www.miff.in
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